in detail
Spray paint is part of my foundation. It’s what I grew up with—learning to layer, blend, and build form through motion. It offers the kind of efficient coverage I crave, allowing me to work fast without losing depth or energy. What keeps me coming back is the airy texture—it lets the work breathe in a way few other mediums can. Beyond the surface, I adapt mark-making techniques that are unique to the aerosol form. The way the can dances, the skips, the drips, the fades—those aren't flaws, they’re part of the vocabulary. There’s a rhythm in aerosol that’s instinctive, and over time, I’ve learned how to translate that into something meditative and intentional.
